5. Bölüm: 5. Bölüm

Bölüm Konusu

Looks at the awesome ability of on-screen images to evoke a massive public response, as with the pictures of the starving children of Biafra in 1968; to shape the nature of the response, with American footage showing how protesters in close-up look far more violent than when filmed in long-shot; and ultimately to shape events like Nixon's downfall. (The Guardian)