Tóth OrsolyaOyuncu
A 78-as Szent Johannája (2003)
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Jeanne's beautiful breasts spill out from her torn clothes, and her gouged internal organs lie beneath. The contrast between death and eroticism is captured in a profound image. The opera that unfolds in the underground ward comes to a powerful catastrophe with jazz-like dissonance. Are they the living or the dead, shedding blood and singing in high spirits? The director comments, "This film will be the beginning of a new contemporary opera film“.
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